There are many things symbolised in the radio conversation with Aningaaq (an Inuit somewhere in the middle of an arctic wilderness). Some are more apparent if you watch the conversation from Aningaaq's side which, amazingly, was filmed as an add-on to the movie by Jonas Cuaron (son of the director and co-writer). The short movie can be seen here.
I'd say that the key theme from Stone's point of view is the balance between hope and despair. She has finally been able to contact someone, though they can't really communicate. But she does get to hear another voice before she is doomed to die. It may be her last chance to hear another person talk. There is a tension between the human contact and the possibility it will be her last human contact. During the conversation she encourages Aningaaq to make his dogs bark: she can't communicate effectively with the inuit, but dogs have a common language: she can howl at them, they can howl back. It's a little corny but it seems to work.
If you watch from Aningaaq's point of view another theme emerges. The original howl was from an old dog now in severe pain. The inuit is agonising about having to kill the dog as an act of mercy. Stone obviously can't understand this part of the conversation. But it adds a strange atmosphere to the short account from his point of view.
Stone also hears the sound of a baby crying, which she finds affecting. What the whole experience does to her mentality is unclear, but one possible role the scene plays is breaking her from a mood where she is resigned to her fate to one where the possibility of seeing earth again is worth fighting for. Even an incomprehensible muddled conversation is better than never having a conversation again.