I saw many movies when the actor/actress (in the movie) dies.

In some movies you can tell that the picture is paused when it is on the dead character.

But in other movies the actor is laying still without any movement or even breath!!

How can they do that?

Are they just holding their breath or they wear something that hide their chest movement?

  • 10
    I'm more impressed by how their eyes don't flicker/twitch. Personally, if I'm not tired I can't keep my eyelids still. Commented Nov 4, 2018 at 19:10
  • 174
    Method actors will actually die for these scenes.
    – Anthony
    Commented Nov 5, 2018 at 1:43
  • 7
    @Anthony so that's why there are fewer and fewer of them these days!
    – jingx
    Commented Nov 6, 2018 at 21:11
  • 1
    @Anthony Yes, they are brilliant - but it's so hard to find one. Commented Nov 10, 2018 at 19:22

6 Answers 6


You hyperventilate right before the take, the same technique as for swimming underwater [not highly recommended underwater, but in air, of course, you can change your mind and breathe again at any time]. Also, bear in mind, you're "dead" so not doing much in the way of running around getting out of breath.
Zombies would be a whole different question and answer ;)

The idea is that you reduce the carbon dioxide levels and slightly increase oxygen levels in your lungs, reducing the urgency to breathe again quite so quickly.

It's also helpful if you're in place a good few minutes before the take, so you have time to relax and not have just rushed to set at the last minute, already breathless.

So, as you hear the 1st AD prepping for the take you breathe big and deep for 5 - 10 seconds. Each 1st AD uses a slightly different but predictable series of commands to the crew...

"Quiet, please. For a take"
"Running up"
"Roll please" [to this a dozen others yell "Turning" right across the set]
Then sound says "speed"; you hear clappers announcing the take; camera ops say "set" [which is always the final signal that everything is ready to go].
"We're turning... and.. "

... you over-breathe until you hear the "and" right before action[1] - then breathe right out.

Corpses do not breathe.
They do not have inflated chests, so you cannot start with an in-breath, you must have breathed right out.

Corpses that breathe get shouted at ;)
"Cut. Reset. We can see the corpse breathing."
Not a good way to use the studio's money.
Corpses that don't breathe on camera get more work than those who do.

In the rehearsal takes you keep your eyes open and watch the cameras, so you know [and can either count in your head or work from any dialogue you can hear] when you need to be mostly still. At other times you can, of course, breathe shallowly until you know you're in frame. If you're not sure and you think it might be significant - ask. Someone can count you through a rehearsal.

The other thing to note, from an audience perspective, is that long 3-minute scene where you were amazed at the corpse not breathing for the whole thing probably took a day to shoot. He probably had to not breathe for no more than 30 seconds in any individual take.

[1] The "and" before Action is often significant and highly emphasised. Background [supporting artists/extras/vehicles etc] often need to be in motion before the action actually starts to keep a fluid look to the scene. "Go on and" is a common phrase.

Just a late note on

In some movies you can tell that the picture is paused when it is on the dead character.

I don't think I've ever seen this done [I'm not saying it's never ever been done, but I've never spotted it]. The eye is really very sensitive to movement and a total still image would be quite jarring and noticeable.

After comments and other answers...
Note: it's considerably harder to hold your breath whilst breathed out, as opposed to in. You don't have the lungful of oxygen in reserve and the rise in carbon dioxide is more concentrated.
If you didn't know already, the "urgency to breathe" reflex is not triggered by lack of oxygen, but by increase in carbon dioxide concentration.

Late, late edit, 4 years after:
Just for fun, here are stills from two I had to do after this answer was posted.
One with prosthetic over the eyes, so no worries about blinking, but the scene was done in one long single shot - steadicam, over a minute's duration, ending on me for the last 10 seconds or so, while the forensics guy turns my head to camera for the gory close-up.

enter image description here

This second one was eyes open, staring off into infinity… and involved many cuts and fresh angles, though each take was a couple of minutes. I did have to take a breath half-way one take [because they were running two scenes back-to-back with barely time to hyperventilate between], but they cut around it easily enough. There was one camera angle for which they had to remove the wall camera left in this shot, which could have been an issue for sight line - but I got them to put a light stand with a piece of bright tape right where I needed to be looking, so sight line never changes through the entire scene. In this scene the paramedic had to pick up my arm, then drop it again, without me reacting at all.

enter image description here

  • 10
    Just in regards to the last point, I can't find any example where it's been done, but I could imagine to remove that jarring effect of a still image, the image could be larger than what's shown on screen and the focus seemingly moving from one part of the image to another, creating the effect from the viewer's perspective of movement, even if the image itself is static. But since I don't have a source, it's just an interesting concept, not necessarily something that's successfully used.
    – Davy M
    Commented Nov 3, 2018 at 14:26
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    That technique of panning & zooming inside an image is known after one of its most famous protagonists - Ken Burns
    – Tetsujin
    Commented Nov 3, 2018 at 14:54
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    Urgency to breath in is, afaik, much less than that to breath out.
    – TaW
    Commented Nov 4, 2018 at 21:09
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    About using a still shot -- I think you're right; it sounds like one of those effects they got away with on 1960's TV that we've learned to notice. Anyway, I heard that sometimes they film the "corpse" in slow motion, to minimize any accidental twitching or breathing. Commented Nov 5, 2018 at 3:28
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    In general, urgency to breathe is CO2 (as you say), but it gets very complicated.
    – fectin
    Commented Nov 7, 2018 at 18:41

A couple more options here.

  1. Editing. Let the actor hold their breath for as long as the scene requires, then cut-away for something else, then cut back and miraculously, the actor is still not breathing. Or simply show a still shot while other actors are speaking in the background.

  2. Prosthetics. Just use a fake chest shell covering the actor's chest, covering any movements.

    Tony Stark is a fairly extreme example (although most corpses don't have bare chests and hands digging around inside them, making this effect easier):

    enter image description here

  • 12
    Wow, only now seeing this still frame in tandem with the topic at hand did I just realize (despite having seen that movie a dozen times or so) they likely used a fake chest, rather than CGI/SFX for this scene.
    – TylerH
    Commented Nov 5, 2018 at 20:07
  • 3
    Funny you say that. I watched this movie again at the weekend and the first thing I thought of was a fake chest - it just seemed the easiest (and cheapest) way of doing this. I mean, it worked for John Hurt all those years ago...
    – user43022
    Commented Nov 6, 2018 at 6:21

Here is what a professional actor says in an answer to a related question on Quora:

I am an accomplished actor and have had to do scenes where I have died, the first thing to do is to prepare for the shot, the director will tell just how long the camera will be focused on you. Before the shot you will be taken to the makeup department to be made up to look like you are dead if this to be a scene that you are in a coffin at a funeral.

As an example when I did an episode of a murder show on ID Discovery and played a murdered victim where the camera would be focused on me for a period of time, when the director was ready for the shot he would ask for a hand signal when I was ready in which I would take a deep breadth and then hold it and hold my position. The director would the take the shot and film for about 40 to 45 seconds and then cut. In some cases the editor can also cheat a shot using a still image of you in position and your still image is matted into the scene where other actors are moving but you are not.

Another thing is done with some actors when their death involves the eyes to be opened and since you are not really dead your eyes will sometimes blink while some actors can hold this for a few seconds, what’s done then is that the rest of the shot is live but the editor creates a still of only your face and then mattes it back on to your face. There are many things that can be done in post production to accomplish this effect to make it look as real as possible.

  • 1
    Re the last sentence: In post, you can even make an actor not blink for a whole movie (even if their character is alive - sort of) Commented Nov 7, 2018 at 21:39
  • Unless this was Sean Bean, I'm not buying it. Commented Jan 21, 2023 at 21:05

There are different ways to perform this scene.

Generally, actors/actresses have practice on breathing. They usually take a deep breath before "action" and leave it very slowly, so you can't see their chest moving.

Besides, the shot is taken in a way that audience don't get time to study their chest movement as you said and sometimes, they only take close up of face not the chest.

If there are still some movements, it gets fixed in post-production or sometimes it just gets ignored.


They are simply holding their breath.

In addition to what was said, with a little bit of training* you can hold your breath 3 minutes. There is hardly a take over 20 seconds in today's movies, so it is very easy.

*Training: during the day, whenever you are bored, like waiting in line, watching TV, or sitting on the bus, just hold your breath. Start with 20 or 30 seconds, and add 5 seconds when it's easy or every day. After three weeks, you'll easily manage 3 to 5 minutes (unless you're chain-smoking or have health issues).

  • 2
    True, but I don't see how it answers the question. Commented Nov 4, 2018 at 20:30
  • 2
    free divers can hold it for 10mins+ while swimming, so 3mins is easily achievable with a bit of practice.
    – RozzA
    Commented Nov 5, 2018 at 9:33
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    Note it's considerably harder to hold your breath whilst breathed out, as opposed to in. You don't have the lungful of oxygen in reserve & the rise in carbon dioxide is more concentrated.
    – Tetsujin
    Commented Nov 5, 2018 at 9:46
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    @RozzA Keep in mind that free divers exploit the mammalian breathing reflex - that requires cold water in your face. It's much easier to hold your breath in cold water, and it gets even easier as you gain depth and pressure. Indeed, one of the reasons why you shouldn't free-dive unattended is that you might not be able to swim up again - as you rise and the pressure drops, you can easily lose consciousness, drop again, pressure increases, you regain consciousness... This can happen even in a public pool, and is one of the things lifeguards are trained to look for.
    – Luaan
    Commented Nov 7, 2018 at 9:38

This has been adressed in an answer to this related question on Quora:

In a movie, or single camera TV show, the shot never lingers long enough on the “dead” actor to give away the fact that they are faking it. By cutting away at the right time, the audience doesn’t have enough time to study the “corpse”.

Also, you will see that the DP frames the shot as a medium close up on the actor, instead of holding a wide master which would show the chest movement. That being said, when playing dead, the best technique would be to take a deep breath in before “Action” and then slowly let your air out of your lungs (through the nose) during the shot. This will keep you still and your chest won’t be rising and falling. This is the same technique you use when you swim underwater.

One thing that you cannot control is the pulsating cartorid artery on the side of your neck. That pulse comes from your heartbeat. Sometimes you can see it in close ups of “dead” actors. With CG VFX though, the filmmakers can digitally fix that.

If you’re cast on a show where you are going to play dead, make sure that you avoid the coffee at craft service. The caffeine will make it very hard for you to relax, and your neck will be throbbing away, making it difficult to pull off the shot. Many actors get cast to play murder victims in procedural dramas, so these are some good techniques to keep in mind.

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