I realise that this is a somewhat pedantic question, but: is it known precisely which version of Blade Runner (US theatrical release, international theatrical release, Director's Cut, Final Cut...) is Blade Runner 2049 a sequel of?

This is potentially significant since the various versions of Blade Runner give different hints on the nature of the characters and have different endings (especially important for the sequel). More details can be found on Wikipedia and in the related Movies & TV question What are the differences between the alternative versions of Blade Runner?

(I am not looking for opinions: for instance, have the screenwriters or other involved people mentioned this?)

  • Can you elaborate a bit why this is significant? For someone not intimetaly familiar with it, it seems an odd question.
    – Polygnome
    Commented Sep 20, 2017 at 17:01
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    The various versions don't differ just for, say, the presence of a voiceover or some scene more or less: they give different hints on the nature of the characters and have different endings (especially important for the sequel). More details can be found in the linked WP article and in another question of this SE.
    – DaG
    Commented Sep 20, 2017 at 17:13
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    The significance of the issue is confirmed by Blade Runner 2049's director's quote in the accepted answer: “[The theatrical version] is the story of a human falling in love with an artificial being, and the story of [the director's cut] is a replicant who doesn’t know he’s a replicant and slowly discovers his own identity. Those are two different stories.”
    – DaG
    Commented Sep 20, 2017 at 17:13

2 Answers 2


The director of Blade Runner 2049, Denis Villeneuve was asked this very question and his answer can be found at DenofGeek.com

So when Blade Runner 2049 director Denis Vileneuve met with reporters at San Diego Comic-Con, someone inevitably had to ask which version of Blade Runner is Blade Runner 2049 a sequel to. "The thing is that I was raised with the first one," Vileneuve said, referring to the original theatrical cut. "There was one Blade Runner at the time. I remember seeing the first movie and falling deeply in love with it."

But his love for the original doesn't mean that there isn't room for nuance, or that he can't acknowledge the intent of Scott's later versions of the film. "The key to making [Blade Runner 2049] was to be in between," Vileneuve said. "[The theatrical version] is the story of a human falling in love with an artificial being, and the story of [the director's cut] is a replicant who doesn’t know he’s a replicant and slowly discovers his own identity. Those are two different stories."

In order to tell his story without alienating fans who prefer one version of the story, the director went back to the source material, Philip K. Dick's Do Androids Dream of Electric Sheep? for inspiration. "I felt that the key to deal with that was in the original novel," Villeneuve said. "In the novel the characters are doubting themselves and they aren’t sure if they are replicants or not. From time to time the detectives are running scans on themselves to make sure that they are human. I love that idea so I decided that in the movie Deckard is unsure, as we are, of what his identity is. I love mystery."

As for which version Harrison Ford and Scott consider to be the truth? "Harrison and Ridley are still arguing about that," Vileneuve says. "If you put them in the same room, they start to talk very loudly about it."

  • 30
    That answer is even better than the question. Turns out to be much more nuanced and interesting question than I would have thought. Makes me want to read the original novel.
    – Wildcard
    Commented Sep 18, 2017 at 23:58
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    @Wildcard: Fair warning -- it's quite a bit different than the movie. I still highly recommend it, but there's a non-trivial difference that threw me off initially. Chiefly, because I kept asking myself, "where was the damn electric sheep in the movie?" ;-)
    – tonysdg
    Commented Sep 21, 2017 at 14:04
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    @tonysdg Note that in Blade Runner 2049, the origami Gaff is seen making is that of a sheep.
    – wip
    Commented Nov 20, 2017 at 5:35
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    @wil: I did notice that! It was an awesome bit of fan service :)
    – tonysdg
    Commented Nov 20, 2017 at 21:15
  • Good answer. It's uncertain, there is doubt. (And Deckard's a replicant!) : ) Commented Feb 7, 2018 at 14:41

While Paulie_D already gives a very good answer right from the director himself, after having seen the film we can take a closer look at its story1, be it only to pretty much confirm what Villeneuve says, that

it's ambiguous and ultimately unimportant (i.e. all versions).

Let's first take a look at what the most significant differences are, the ones relevant to the sequel. As you said, we on the one hand have the different endings and on the other hand the much more ambiguous question of Deckard possibly being a replicant himself. I'll try to hide specific story elements about the new film behind spoilers blocks, seeing that the likely audience of this question are people who haven't seen 2049, but of course we won't get around discussing its broader themes.

Let's first take a look at the ending. The original theatrical version featured a rather happy ending where Deckard and Rachael drive through a beautiful countryside elaborating on the fact that Rachael might live longer than the normal 4 years of a Nexus 6 model. However, it's still unclear from Deckard's voice-over how long and nothing prevents her from dying a natural cause afterall:

Gaff had been there, and let her live. Four years, he figured. He was wrong. Tyrell had told me Rachael was special: no termination date. I didn't know how long we had together, who does?

And while the primary difference between the two endings is more of a tonal nature, from a plot-based point of view nothing really precludes the theatrical ending still happening after the director's cut one, but just not being shown. And while it presents an environment far different from the rest of the film (and taking some of its dystopian and dismal atmosphere from it), as we learn from 2049, the world might not have been a complete disaster by the 2010s yet (when it alludes to the collapse of the ecosystem in the 2020s).

If we look at the tone alone, the director's cut is a little less optimistic and more ambiguous about their future. And indeed, it wasn't all happy-go-lucky for Deckard and Rachael after leaving the city, but it wasn't all terrible either and they first and foremost did make it out of the city alive afterall.

While they seemingly had to go into hiding, especially after the birth of their daughter, they did have their time together, even if a short time and ultimately shared the wonder of birth with eachother, even if that was of a short duration. And while Rachael does indeed die not too long afterwards, it's IMHO not entirely clear why. It could have been birth complications as well as a replicant timeout.

So you could say tonally it might be nearer to the ambiguity of the director's cut, but story-wise it doesn't make much of a difference.

Now the bigger question if Deckard is a replicant or not. While the director's cut hints at this possibility, it's still largely ambiguous. The biggest point is that we're considering it, and that's what makes it interesting, not necessarily the clear answer to it (even if both Ridley Scott and Harrison Ford claim to have their own clear answers to it). And you might be delighted to hear that the new movie doesn't answer that question either. In fact, it seems to dillute it even further by extending the things replicants are able to do,

by having Rachael (who clearly is a replicant) have a child with Deckard. If she can procreate with a human, she might as well be able to do so with another replicant.

This on the one hand makes it more likely for someone to actually be a replicant by reducing the things that differenciate them from humans, but also makes the question more difficult to answer (and ultimately irrelevant, reducing it to an entirely bureaucratic technicality).

Especially with the possibility of replicants having children, which is prominently used as a sign of their elevation beyond replicancy(?) in the movie. Is a replicant that's not made in a laboratory/factory but a womb still a replicant? If yes, then why?

And while the film still doesn't give an answer about Deckard's very own nature, it still keeps it ambiguous and leaves the possibility of him being a replicant open.

While he obviously lives longer than a few years, we've seen later Nexus 8 models like Sapper do that too. And there is one specific scene during the ending when Deckard is in Wallace's office that explicitly picks up this idea, where Wallace hints at the possibility of Deckard having been specifically manufactured and set up to fall in love with Rachael for this very purpose of evolving replicant procreation. This is countered by Deckard claiming that he "knows who he is" (whatever that means). However, this seems more Wallace grabbing for straws and playing mind-games with Deckard than any genuine knowledge about the past and Tyrell's plans, especially after the blackout.

So to sum it up, it is really a sequel to both major versions, with a story being able to fit both and a tone and ambiguity setting it somewhere between the two. And this way it also doesn't give us the easy answer to what interpretation is the ultimate truth, since they all work and are probably up to us. We can believe Ridley or Harrison, or make up our own mind, possibly with the additional help from 2049, which doesn't seem to favour nor preclude any interpretation, but if anything makes the difference even more moot and shows us yet again that the question is more important than its answer.

1) And even if it is less based on interviews, it still tries to reason by the very movie itself and is thus not too much speculation. See it as an addition to Villeneuve's answer, solidfying it by specific proof from the film itself, so you know he didn't talk nonsense in his interview. ;-)


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