It does appear to be true. UK newspaper The Independent looked at this legend shortly after Hurt's death and cites an old issue of Empire magazine.
It all started with Scott's desire for genuine reactions of terror.
"[They] were going to be the most difficult thing. If an actor is just
acting terrified, you can't get the genuine look of raw, animal fear,"
Cartwright, who famously passed out when cameras stopped rolling,
said: "We read the script. They showed us a mock-up, but they didn't
show how it was going to work. They just said, 'Its head will move and
it's going to have teeth'.
Ron Shusett (executive producer/ screenwriter): Ridley didn't tell the
cast. He said, "They're just going to see it."
The cast was kept away from Hurt and from the set until the last minute:
Cartwright: They take John down in the morning to prep him and we're
upstairs for four hours. We're sitting upstairs and nobody knows what
the hell is going on. Harry Dean [Stanton] is sitting in the hall
playing his guitar.
Weaver: All it said in the script was, "This thing emerges."
Offal and discarded fish were used:
Scott: Prosthetics in those days weren't that good. I figured the best
thing to do was to get stuff from a butcher's shop and a fishmonger.
On the morning we had them examining the Facehugger; that was clams,
oysters, seafood. You had to be ready to shoot because it started to
smell pretty quickly. You can't make better stuff than that - it's
Dan O'Bannon (executive producer/screenwriter): Once the creature was
rigged up, they stuffed the chest cavity full of organs from the
butcher's. Then they ran a couple of big hoses to pump the stage
blood. During all this Ridley moved about, tending to the finest
detail. I remember easily half an hour was spent with him draping this
little piece of beef organ so it would hang out of the creature's
This added to the cast's experience:
Cartwright: When they finally take us down, the whole set is in a big
plastic bag and everybody is wearing raingear and there are huge
buckets around. The formaldehyde smell automatically made you queasy.
And John is lying there.
Weaver: Everyone was wearing raincoats - we should have been a little
suspicious. And, oh God, the smell. It was just awful.
Then they started filming the scene:
Cartwright: They have four cameras going. You see this thing start to
come out, so we all get sucked in, we lean forward to check it out.
They shout, "Cut!" They cut John's T-shirt a little more because it
wasn't going to burst through. Then they said, "Let's start again." We
all start leaning forward again and all of a sudden it comes out. I
tell you, none of us expected it. It came out and twisted round.
And Ridley Scott got the reactions he wanted:
Weaver: All I could think of was John, frankly. I wasn't even thinking
that we were making a movie.
Ivor Powell (associate producer): I hadn't expected it to be quite
Weaver: Look, I worked with Roman Polanski on Death and the Maiden -
he would shoot a gun off. You can act, sure, but when you're
surprised, that's gold.
Shusett: Veronica Cartwright - when the blood hit her, she passed out.
I heard from Yaphet Kotto's wife that after that scene he went to his
room and wouldn't talk to anybody.
Kotto: Oh man! It was real, man. We didn't see that coming. We were
freaked. The actors were all frightened. And Veronica nutted out.
A well-researched 2020 article offers some more details about how the scene was filmed:
Four cameras were ready to roll for optimum footage. Sigourney Weaver (Ripley) could see the screenwriters huddled in the corner, gleefully awaiting the mayhem to come.
A thin cut was made in the cavity T-shirt so that it would rip easily when the puppeteer below thrust the creature upwards. At first it didn’t come through, so when they tried again the actors were already leaning in, and the amount of blood that burst forth really shocked them. Veronica Cartwright got a face full and actually flipped right over in surprise on the now slippy floor. She realised the cameras were still rolling and had to scramble back in shot.
To have the creature then shoot off across the table, a slit was cut through it, and someone yanked the puppeteer, who was lying on a small camera dolly. The tail whipping back and forth was achieved by inserting a thin tube through it and pumping it with compressed air. It is telling that there are no outtakes of actors or crew bursting into laughter. The atmosphere was highly charged: nothing like this had ever been seen before.