I have been wondering, knowing that back when this movie was shot technology wasn't comparatively so advanced, how could they have shot the opening scene of The Shawshank Redemption?

If it was shot using a chopper, how could the chopper come so close to the roof of the second building right at end of the shot?

  • 2
    Looks pretty much like a helicopter. It doesn't really seem to come too close to the roof (at least in a special secured movie direction scenario, of course in real life a helicopter won't be allowed to do that). But I absolutely don't know it.
    – Napoleon Wilson
    Commented Dec 9, 2013 at 12:56
  • It could have been a camera on a remote control device.
    – Ben Plont
    Commented Dec 10, 2013 at 3:33
  • I am pretty sure it was not a helicopter. Helicopters are very windy and they always cause ripples on water. as evident from the puddles on the shot(inside the prison grounds), there are no ripples.
    – gprasant
    Commented Dec 10, 2013 at 5:25
  • Just before the bus turns left towards the prison. It's very easy to see the grass moves, because of the helicopter slowly moveing towards the main entrance. Commented Dec 5, 2016 at 20:45
  • 1
    @MichaelHillman The tarring was not the roof of the prison, but a license-plate factory.
    – Kruga
    Commented Nov 27, 2017 at 12:00

1 Answer 1


The chopper does not really come all that close to the building. And yes, *it is a chopper, baby*.

The following is apparently from director Frank Darabont's notes:

Scene 10. This scene contains everybody's favorite shot in the movie. It's the amazing aerial view that first reveals the prison in all its bleak glory, with the army of prisoners streaming across the yard below to greet the arriving bus. It's a wonderfully cinematic moment, one that seems to suspend time even as it plunges us breathlessly into this new and horrible world...

...and boy, would I love to take credit for it, but you'll notice it's not even alluded to in the script. Truth is, it was production designer Terence Marsh's idea. On our very first scout to determine the viability of using the abandoned Ohio State Reformatory in Mansfield as our primary location, producer Niki Marvin, coexecutive producer David Lester, Terry Marsh, and I found ourselves abjectly freezing our butts off and picking sleet out of our teeth (real winters come as a nasty surprise if you've just flown in from California). Suddenly, Terry (two-time Academy Award winner and last of the soft-spoken gentlemen) blinked up at the sky and uttered something like: "This place would look smashing with an opening helicopter shot."

Six months later we were back again, this time with a veritable army of crew and trucks, desperately trying to get the shot in the can before lunch. This involved coordinating three major elements (and believe me, everybody's timing had to be perfect): the helicopter in the air, the bus on the ground, and the 500 extras in the yard. It didn't help that the copter could only go up (or the extras emerge from hiding) in the intermittent breaks between rain flurries. The shot came off perfectly. It's even got the state flag of Maine snapping smartly in the breeze as if saluting Stephen King. It helps to have a great pilot (Bobby Z), a great aerial camera operator (Mike Kelem), intrepid assistant directors (John Woodward and Tom Schellenberg, who spent a month planning placement and movement of the prisoners in the yard as if diagramming the world's biggest football play), stout-hearted extras (the fine men of Mansfield and surrounding areas), and God or the universe on your side. Most of all, it helps to have a great idea to set all the madness in motion. Thanks, Terry.

The use of the helicopter is also confirmed in a goof:

Towards the beginning of the film, during a beautiful aerial shot of the bus entering Shawshank Prison, the camera flies over the buildings, where we see the prisoners on their way to "greet" in the new inmates. As the camera circles around, at the top of the frame, in an area of green grass, near a building, the shadow of the camera's helicopter is clearly visible.

  • (I can't see the shadow myself, though.) Commented Dec 10, 2013 at 10:37
  • 1
    You can't see inmates' shadows also, plus the buildings' shadows are pretty flat. It looks like it was an overcast day. The bigger the apparent light source is (in this case the clouds), the "softer" the shadows are. Commented Dec 10, 2013 at 11:15
  • Yes, Daramont mentions the "rain flurries" in his commentary. I'm uncertain where the "area of green grass, near a building" (mentioned in the goof) is. The only realistic candidate that I noticed is the strip which is outside the prison walls. Commented Dec 10, 2013 at 11:23
  • How could they have managed to foil the water ripples from forming in the puddle? As gprasant pointed out. Commented Dec 10, 2013 at 11:29
  • @hus787 Best guess: The helicopter is reasonably high up and the puddles are not necessarily underneath the craft. Commented Dec 10, 2013 at 13:00

You must log in to answer this question.

Not the answer you're looking for? Browse other questions tagged .