On a scripted multicam show that is shot live, such as a sitcom, which members of the production typically have access to the full script?

Obviously the writers do, since they created the script. And the showrunner and director need a copy, and I suppose the production designer also. I imagine all the regular principal actors get a copy. But who else gets a full copy?

For instance:

  • Do guest stars get the entire script, or only an excerpt containing their scenes? What about actors in one-off minor roles?

  • Do the camera operators get the whole script, since they need to know which actors to shoot when doing their lines? Or do the camera operators simply follow the camera blocking instructions of the director?

  • Do the set and costume designers and prop masters see the script, since it will necessarily contain some explicit or implicit information about the scenery and setting of each scene, or do they just follow the instructions of the production designer?

1 Answer 1


Everybody except the 'extras' [supporting artists].
See my rant at the top of https://movies.stackexchange.com/a/111538/25773 for why this is.

The script is a part of the call sheet, which everyone [except SAs] gets.

The call sheet is 'today's bible'. It contains all details of today's shoot - the entire production list, from director right down to runners, carpenters, electricians, caterers and transport; with their contact details, email and phone numbers. Who is needed at what time, when they need to be in costume or makeup if they are a performer - transport details to get them there.

It has details of which scenes will be shot, in what order, at what times [assuming they can keep to schedule]. Which performers are needed and when for these scenes. How many SAs and what characters.

Almost as an afterthought, the scripts for each scene are tagged to the back of this, so everybody gets one.

Most of the crew needs these details to do their job. Props need to know which sets to finish dressing - fresh flowers, for instance can't be set up permanently.

Costume, hair and makeup need to know who they're expecting, what they need for each scene, anything that may need extra preparation, wigs or prosthetics.

3rd ADs [Assistant Directors] need to be able to not only get their people to set, but know where they should be at any given moment in the scene - they scribble this on the script so they can get their cues to match on each take.

Camera department will likely get a more detailed set of instructions describing how each shot is intended to look - this can take the form of a story-board, in diagrams, though sometimes just text descriptions, depending on the complexity of the shoot.
There's also a technical call sheet, which will contain details of every item of equipment needed for the day, from the obvious 'how many cameras' right down to which lenses, filters, batteries, or light stands.

Here's an example 1st page from a small shoot. This is 12 pages long. I've anonymised & shrunk, so there are no real details to be seen any more. You can just make out the first two story-board diagrams at the bottom left. the script itself is the last few pages - no point me anonymising that as it would all then just be a blur ;)

enter image description here

As mentioned in other QAs recently, leaks don't come from inside the industry, they come from outside - so everybody on the inside gets to see all of what's going on. This may be for just one day if you only work one day on a production. Few people are going to be handed the entire script to a major movie all in one go, but if you work it all eventually you will have an entire script.

After comments
I don't see that there's any distinction between a 'live' sit-com and any other production, single or multi-cam. Everybody involved needs to know what's going on.

  • This answer seems to be based heavily on relatively long and large movie productions as opposed to multicams that are typically shot in one or two days. (Do sitcoms even have 3rd ADs?) Does the information also apply to the type of productions that my question is about?
    – Psychonaut
    Nov 9, 2020 at 10:03
  • I'm not really seeing the difference between a single or multi-cam shoot. The call sheet above is single cam, a lot of other things I work on are multi-cam. The call sheet is the same, it only varies in complexity. If it's going to all be shot in a day, then half the crew and cast may have already been rehearsing it prior to that. The only difference that would make would be who was needed on the call sheet on any given day.
    – Tetsujin
    Nov 9, 2020 at 10:07

You must log in to answer this question.

Not the answer you're looking for? Browse other questions tagged .