Timeline for How does Tyler Durden insert sounds along with images into movies?
Current License: CC BY-SA 3.0
8 events
when toggle format | what | by | license | comment | |
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Jun 19, 2016 at 20:01 | comment | added | Flambino | For reference, see wikipedia which has a nice image showing the soundtracks on a piece of film. Incidentally, that's why movie's have "a soundtrack", since it's literally a track on the film itself. | |
Jun 19, 2016 at 15:44 | comment | added | John Sensebe | Worth noting is that even with optical audio, the splice would not be as portrayed in the film. The audio on the film does not line up with the frame of film it corresponds to, so the audio splice and video splice would be out of sync. Chalk it up to artistic license. By playing the sound effect in sync with the apparent (off-screen) image change, it is clearer to the audience what has happened. | |
Jun 18, 2016 at 16:10 | history | edited | MonkeyWidget | CC BY-SA 3.0 |
added more details including SDDS
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Jun 18, 2016 at 16:08 | comment | added | MonkeyWidget | @cde there is, but if you look at what Tyler is working with, in addition to the era, the sound will be on the film as optical only. As a projectionist you get shipped the reels, which you then have to splice together, for example on a "platter," i.e. a giant reel. I think contemporary film format also has the SDDS digital sound on there in between the sprockets... also as an optical print but in an elaborate 2D barcode. I'll add these details into my answer. | |
Jun 18, 2016 at 13:56 | comment | added | matt_black | @cde but the tech used by Tyler Durden is relatively old and modern digital sound is probably a step beyond what Durden is working with. | |
Jun 18, 2016 at 10:29 | comment | added | cde | Only if you splice frames using optical audio to a reel using optical audio, on an optical audio reader. There is magnetic and other types of readers too | |
Jun 18, 2016 at 7:03 | vote | accept | nilon | ||
Jun 18, 2016 at 4:10 | history | answered | MonkeyWidget | CC BY-SA 3.0 |