Skip to main content
8 events
when toggle format what by license comment
Jun 19, 2016 at 20:01 comment added Flambino For reference, see wikipedia which has a nice image showing the soundtracks on a piece of film. Incidentally, that's why movie's have "a soundtrack", since it's literally a track on the film itself.
Jun 19, 2016 at 15:44 comment added John Sensebe Worth noting is that even with optical audio, the splice would not be as portrayed in the film. The audio on the film does not line up with the frame of film it corresponds to, so the audio splice and video splice would be out of sync. Chalk it up to artistic license. By playing the sound effect in sync with the apparent (off-screen) image change, it is clearer to the audience what has happened.
Jun 18, 2016 at 16:10 history edited MonkeyWidget CC BY-SA 3.0
added more details including SDDS
Jun 18, 2016 at 16:08 comment added MonkeyWidget @cde there is, but if you look at what Tyler is working with, in addition to the era, the sound will be on the film as optical only. As a projectionist you get shipped the reels, which you then have to splice together, for example on a "platter," i.e. a giant reel. I think contemporary film format also has the SDDS digital sound on there in between the sprockets... also as an optical print but in an elaborate 2D barcode. I'll add these details into my answer.
Jun 18, 2016 at 13:56 comment added matt_black @cde but the tech used by Tyler Durden is relatively old and modern digital sound is probably a step beyond what Durden is working with.
Jun 18, 2016 at 10:29 comment added cde Only if you splice frames using optical audio to a reel using optical audio, on an optical audio reader. There is magnetic and other types of readers too
Jun 18, 2016 at 7:03 vote accept nilon
Jun 18, 2016 at 4:10 history answered MonkeyWidget CC BY-SA 3.0