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"This happens often in scripts," said Lawrence. "That interview sequence was basically done as a montage. The original script had these one-line little things that felt like they were in the middle of an interview. So I went to Suzanne Collins and said, 'Suzanne, I think you and I have to create a little addendum. Because actors can't just do one line that's in the middle of an interview. What we have to do is create a full section of an interview, so there needs to be a real question from Caesar Flickerman, and a full answer from each of these tributes, that sort of matches their point of view against the Capitol, but also shares a little facet of character.' And it was actually Suzanne's idea — or she and I together, actually — to give Johanna this 'fuck you punk' attitude."

 

As it happened, Malone had a similar idea. "I showed up on set that day, and I was like, 'Francis, I think I just gotta riff in there. I think I just gotta get up there and I just gotta lay one on him,'" she said. "He's like, 'This is great. Look, I also wrote you this [dialogue in question]. And I was like, 'I love you. Are you kidding me? This is perfect.' So I used that and made Johanna take it and eat it and chew it up and spit it out."

Everything went exactly as planned — until Lionsgate execs saw the day's footage. Apparently, Lawrence had not informed the studio that he was inserting two F-bombs into their PG-13 film; the MPAA generally only allows one before slapping a film with an R rating. So they rang up producer Nina Jacobson — the only time the studio did so during production — and asked her, Um, what are you doing?

 

"And Nina said, 'No, no, no, they're going to bleep it out,'" said Lawrence with a smile. "'Don't worry. We're not going to mess with the rating. Don't worry about that.'… It got the biggest laughs on set when [Malone] just went, you know, crazy. We just said this is from the Capitol, and the Capitol's airing it, and the Capitol would have bleeped it all out."

It was a delicious moment for Malone as an actor, but she also appreciated how it further drilled into the story's larger themes of media manipulation — and how uncomfortably close the Capitol can be to our own world. After all,Catching Fire is filled with people being slaughtered (bloodlessly) — not to mention Johanna's elevator strip tease. Yet saying "fuck" out loud is verboten.

 

"It's such an easy way in to understanding the mentality of the Capitol without having to do too much nudge nudge wink wink," said Malone. "Particularly in the society that we live in, there's like 60,000 different porn sites, but people get thrown off of Instagram because they show an artistic nude. It's just so weird the way that we censor ourselves, and that there's actually no balance between the two, so I think it's a really great way for a generation to see that as like, 'Wow, even at this level, they're still being censored.'"

"This happens often in scripts," said Lawrence. "That interview sequence was basically done as a montage. The original script had these one-line little things that felt like they were in the middle of an interview. So I went to Suzanne Collins and said, 'Suzanne, I think you and I have to create a little addendum. Because actors can't just do one line that's in the middle of an interview. What we have to do is create a full section of an interview, so there needs to be a real question from Caesar Flickerman, and a full answer from each of these tributes, that sort of matches their point of view against the Capitol, but also shares a little facet of character.' And it was actually Suzanne's idea — or she and I together, actually — to give Johanna this 'fuck you punk' attitude."

As it happened, Malone had a similar idea. "I showed up on set that day, and I was like, 'Francis, I think I just gotta riff in there. I think I just gotta get up there and I just gotta lay one on him,'" she said. "He's like, 'This is great. Look, I also wrote you this [dialogue in question]. And I was like, 'I love you. Are you kidding me? This is perfect.' So I used that and made Johanna take it and eat it and chew it up and spit it out."

Everything went exactly as planned — until Lionsgate execs saw the day's footage. Apparently, Lawrence had not informed the studio that he was inserting two F-bombs into their PG-13 film; the MPAA generally only allows one before slapping a film with an R rating. So they rang up producer Nina Jacobson — the only time the studio did so during production — and asked her, Um, what are you doing?

"And Nina said, 'No, no, no, they're going to bleep it out,'" said Lawrence with a smile. "'Don't worry. We're not going to mess with the rating. Don't worry about that.'… It got the biggest laughs on set when [Malone] just went, you know, crazy. We just said this is from the Capitol, and the Capitol's airing it, and the Capitol would have bleeped it all out."

It was a delicious moment for Malone as an actor, but she also appreciated how it further drilled into the story's larger themes of media manipulation — and how uncomfortably close the Capitol can be to our own world. After all,Catching Fire is filled with people being slaughtered (bloodlessly) — not to mention Johanna's elevator strip tease. Yet saying "fuck" out loud is verboten.

"It's such an easy way in to understanding the mentality of the Capitol without having to do too much nudge nudge wink wink," said Malone. "Particularly in the society that we live in, there's like 60,000 different porn sites, but people get thrown off of Instagram because they show an artistic nude. It's just so weird the way that we censor ourselves, and that there's actually no balance between the two, so I think it's a really great way for a generation to see that as like, 'Wow, even at this level, they're still being censored.'"

As explained by multiple actors of the movie, consider that Trump may become president, the Hunger Games becomes more and more a documentary instead of a fiction, which the books and movies are meant to prevent.

This is true when it comes to Jennifer Lawrence, Liam Hemsworth, and Josh Hutcherson when they expressed their thoughts to Entertainment Weekly on U.S. presidential candidate, Donald Trump. Much like how their characters feel about President Snow, they’re not all fans.

“If Donald Trump becomes president, that will be the end of the world,” says Lawrence.

Her co-star Liam Hemsworth feels the same: “I’ll back you up on that,” he adds.

Josh Hutcherson, the third lead in the massive franchise, can’t quite believe Trump’s run for the presidency is legitimate. “It’s a publicity stunt,” he says. “It can’t be real.”

Jennifer also commented on another theme in The Hunger Games, reality TV and its use as entertainment.

“I genuinely believe that reality television has reached the ultimate place where now even things like this might just be for entertainment,” she says. “It’s either that or it’s Hillary’s brilliant idea.”

http://wearechange.org/actor-donald-sutherland-the-hunger-games-an-allegory-for-the-united-states-of-america/

And if there’s any question as to what (the Hunger Games) it’s an allegory for I will tell you… it is the powers that be in the United States of America. It’s profiteers. War is for profit. It’s not to save the world, or fordemocracy or king and country. No, it’s for the profit of the top 10%. And the young people, who see this film, must recognize that in the future blind faith in their leaders … will get you dead.”

This wasn't in the books. It was added to the film by the Director, with collaboration of the book writer Suzanne Collins and Joanne's actress Malone. [In an interview][1]:

"This happens often in scripts," said Lawrence. "That interview sequence was basically done as a montage. The original script had these one-line little things that felt like they were in the middle of an interview. So I went to Suzanne Collins and said, 'Suzanne, I think you and I have to create a little addendum. Because actors can't just do one line that's in the middle of an interview. What we have to do is create a full section of an interview, so there needs to be a real question from Caesar Flickerman, and a full answer from each of these tributes, that sort of matches their point of view against the Capitol, but also shares a little facet of character.' And it was actually Suzanne's idea — or she and I together, actually — to give Johanna this 'fuck you punk' attitude."

As it happened, Malone had a similar idea. "I showed up on set that day, and I was like, 'Francis, I think I just gotta riff in there. I think I just gotta get up there and I just gotta lay one on him,'" she said. "He's like, 'This is great. Look, I also wrote you this [dialogue]. And I was like, 'I love you. Are you kidding me? This is perfect.' So I used that and made Johanna take it and eat it and chew it up and spit it out."

This wasn't in the books. It was added to the film by the Director, in collaboration with the book's author Suzanne Collins & Johanna's actress Jena Malone. In an interview:

"This happens often in scripts," said Lawrence. "That interview sequence was basically done as a montage. The original script had these one-line little things that felt like they were in the middle of an interview. So I went to Suzanne Collins and said, 'Suzanne, I think you and I have to create a little addendum. Because actors can't just do one line that's in the middle of an interview. What we have to do is create a full section of an interview, so there needs to be a real question from Caesar Flickerman, and a full answer from each of these tributes, that sort of matches their point of view against the Capitol, but also shares a little facet of character.' And it was actually Suzanne's idea — or she and I together, actually — to give Johanna this 'fuck you punk' attitude."

As it happened, Malone had a similar idea. "I showed up on set that day, and I was like, 'Francis, I think I just gotta riff in there. I think I just gotta get up there and I just gotta lay one on him,'" she said. "He's like, 'This is great. Look, I also wrote you this [dialogue in question]. And I was like, 'I love you. Are you kidding me? This is perfect.' So I used that and made Johanna take it and eat it and chew it up and spit it out."