Timeline for Why the Tet imposes itself regular transmission cut-off?
Current License: CC BY-SA 3.0
7 events
| when toggle format | what | by | license | comment | |
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| May 29, 2017 at 1:05 | vote | accept | vaab | ||
| Oct 21, 2014 at 10:29 | history | tweeted | twitter.com/#!/StackMovies/status/524507783106805760 | ||
| Oct 20, 2014 at 15:11 | comment | added | vaab | @NapoleonWilson I'm indeed in search for coherence (more than realism) in narrative art mediums which seems to lack some at first glance. But I'm often bewildered by the subtle answers that come up, as I often miss obvious elements, and they frequently reveal simple but profound aspect of the film interpretation (and in the end, its coherence). To people willing to dig further, these views raise the understanding of an imaginary world, but also its place in the Director's intent or how it imprints the audience to receive it's symbolic/emotional load. Many thanks for your comment! | |
| Oct 20, 2014 at 14:17 | answer | added | Pᴀᴜʟsᴛᴇʀ2 | timeline score: 10 | |
| Oct 20, 2014 at 12:56 | history | edited | Napoleon Wilson | CC BY-SA 3.0 |
edited body; edited tags
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| Oct 20, 2014 at 12:53 | comment | added | Napoleon Wilson | This may sound like a cop-out explanation (and is not meant to discredit your questions as bad or off-topic), but honestly, your recent questions seem to suggest that you ran with waaay too much expectation for realism into what ended up to be a stylistically and atmospherically well-made, but narratively poor and often inconsistent movie. That being said, those transmissions from "Sally" are supposed to be creepy and "somehow off" to strengthen the feeling the things are not quite what they seem. If there's an actual in-universe reason to be constructed I'm not sure, but hope for the best | |
| Oct 20, 2014 at 12:49 | history | asked | vaab | CC BY-SA 3.0 |