Hot answers tagged soundtrack
17
The song you are talking about was the theme tune of the TV series Mission: Impossible (1966–1973). It returned to television for two seasons from 1988 to 1990.
Original Theme(You Tube).
The Mission Impossible movie is based on the TV series.
In 1996, the theme was remade by U2 members Adam Clayton and Larry Mullen, Jr. for the soundtrack for the Mission ...
15
From the wikipedia page on Foley Artists.
Foley artists look to recreate the realistic ambient sounds that the film portrays. The props and sets of a film do not react the same way acoustically as their real life counterparts. Foley sounds are used to enhance the auditory experience of the movie. Foley can also be used to cover up unwanted sounds ...
15
Carpenter found he was way too busy with filming The Thing (mostly due to the location shoot but also the post-production) and passed the duties off to someone else. He also stated that he really wanted to work with Morricone as he was a big fan.
As for why the soundtrack sounded much like his own, Morricone said he wanted to make it feel like it was a John ...
14
This diagram is based on Edward Tufte's third book called Visual Explanations: Images and Quantities, Evidence and Narrative
It is the first visually diagam how rock music has evolved over the last 50 years.
Original link for image
This poster is $33 for an “archival paper” print, but it only goes up to 1978.
The contents of the School of Rock blackboard ...
12
I believe Midnight in Paris (2011) had an overture, if I remember correctly.
Update:
Yup, confirmed. Wikipedia has a nice list of films containing overtures, including a post-1970 section. I can't imagine that it's completely exhaustive, so I'm sure that there are films with overtures missing from the list. But the short answer to your question is no - The ...
11
The main reason is really cost, plus you can get far better results in a Foley stage.
Recording sounds live is very expensive and difficult to get each of the sounds independently so that they can be properly mixed later. Say that you want to record the sounds you describe live where there are footsteps and a door shutting. You would have to record two ...
11
The movie is an adaptation of Peter Shaffer's play of the same name, which suffers from the same criticism of historical accuracy.
I can't find any references to hand, but I imagine that Shaffer was using the historical setting to stage a story of artistic genius and professional rivalry that makes such a good story, and that accuracy was somewhat ...
8
It's not a by-product of the Dolby encoding process, although Dolby does allow greater dynamic range.
Sound engineers employ a technique called "dynamic range compression" to reduce the difference between the loudest and softest sounds in a recording. Use of compression is much more pronounced and widespread than it was in the past, which explains your ...
8
As there are no hard and fast rules for the use of music in filmmaking, this question runs the risk of becoming conversational rather than providing a succinct answer.
That said, I am in the middle of finalizing the score on my latest short animated film - so I'll share my reasoning for the inclusion of the background music in the hope that it answers your ...
7
The technical feature of audio formats that allows them to do this is called dynamic range. When mixing the audio for movies, the sound engineer is choosing to minimize the dialogue and maximize the audio for some effect.
You have several options to deal with this. The first is to check your audio receiver's manual. Look for a 'night mode' and enable it ...
7
There is no hard and fast rule. Sometimes the production will request a song from an artists specifically for the movie. Examples include Celine Dion's My Heart Will Go On for Titanic, and almost every James Bond theme song. Most of the times the production will just license existing songs.
Creating a song specifically for a movie can get pretty expensive, ...
7
From How Film Composers Work:
The film music composer:
Meets with the director and movie producers, when the film has been shot and is being edited, to discuss music needs for the film.
Takes part in a spotting session, in which the film composer, director and others watch the movie and decide where each segment of music should start and stop ...
7
As a filmmaker, I can provide some insight into this, however there are always going to be exceptions to the rule.
In general, a film is scored after editing—a notable exception to this would be the specific use of a particular piece of established music, in which case the editor may well be asked to edit to the beats of that music.
For a scored ...
6
According to TV Series Finale, due to a stipulation in Tina Louise's contract (she was Ginger, "the movie star"), she was to be the last person billed in the opening credits. The parts now known as "Mary Ann" and "The Professor" were re-cast to Dawn Wells and Russell Johnson respectively, but only after Louise's contract was signed, so they were placed in ...
6
According to this article from Post Magazine, there were no instruments, but there were guitar, bass, and drum vocalizations, plus a beatbox. With the vocalization technique, apparently you are singing through an instrument, so it is still your voice rather than the instrument that is causing the sound (think Peter Frampton and his talk box).
Kevin ...
6
I've heard the song before but I've never seen the video until now. Well I recognized Billy Drago right away. I thought that would be a big clue as to whether this was from a movie, or one time episode of something. He seems to be the only actor that can be tracked from the video other than the spliced in footage of Choke Canyon. His IMDB list him as ...
5
The earliest I found is from 1994's Floundering
During the Floundering (credits, the cast sings along in a
rendition of "Nothing Funny 'Bout
Peace, Love and Understanding," as the
camera pans through the crowd.
This sort of thing is less incongruous with light comedies. There's Something About Mary (1998) is the first non-musical comedy I found ...
3
The song is called Duet by Phillip Glass.
From interview with director:
‘The piano scene was in the original script, but I could immediately see an opportunity for me. Rather than take a written piece of music from an old master, I wanted to do something entirely new, so I approached Phillip Glass.
2
An interview with Philip Glass regarding The Reaping suggests reasons that the soundtrack may have been rejected (his expertise was in character films rather than action, and the direction of the film kept changing):
What was your musical approach to this film?
Oh it was quite different. These kinds of films are more about action
instead of ...
2
The song's video features a few clips from the film Choke Canyon, but is primarily based on the completely unrelated story on which the song's lyrics are based. wikipedia
As far as I know there is not an actual movie. I searched around but I couldn't find anything that could leed me to the "movie". Based on some other fans opinion, the video was made ...
2
Paul Leonard-Morgan wrote the film's industrial music score.
Leonard-Morgan created music to suit the film's futuristic setting. He
experimented with band-based music, but decided it sounded
over-produced and too safe. He turned to electronic music and used
1980s-style synthesisers and modern sound modules to create various
combinations and ...
1
The music was composed for the film by Joe Hisaishi (professional name of Mamoru Fujisawa), who was born in 1950. From wikipedia:
Another Miyazaki film, Howl's Moving Castle, for which Hisaishi
composed the score, was released on November 20, 2004 in Japan.
Here he is performing it himself. Very moving.
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