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The "Mike Yaganita" subplot is discussed on the Subplot Screenwriting Tips page, and a blog commenter writes: (Source: Kathleen A. Ryan) Every time my husband and I watch FARGO (we own the DVD, & are huge Coen bros. fans), we have the same conversation about the purpose of the subplot you mention. My guess, however, is this: Marge is presented ...


5

From an interview with Richard Kelly (writer/director of Donnie Darko): Can you explain the character of Cherita [Chen]? I like to call her my ‘Mike Yanagita.’ Remember Mike Yanagita from “Fargo?” He hits on Frances McDormand at the Radisson. They have Diet Cokes at the Radisson and he comes on to her. If the Coen Bros. didn’t have final cut, a ...


2

I think she's a little more Columbo than Mason (and I just happened to reach it as I also have a copy). I think she is flattered when Mike calls her because she makes a side trip to meet him while on business in the Twin Cities, and when she goes into the restraunt to meet him for lunch, she makes a point of straightening out her clothes (the most feminine ...


1

The depiction of the other murders has a direct storytelling part in the plot or in the personality of each character. The character of the two stupid guys (Carl and Grimsrud) are well established by that point—as is Jean (Jerry's wife)—so depicting the exact situation and murder is pointless. It would be gratuitous and redundant. By leaving ...


1

I agree with the comment that Mike's convincing lying points out to Marge that Jerry may be lying too, and so the second interview with Jerry, where Jerry becomes less and less convincing ("I'm cooperating here") under Marge's polite but insistent questioning. But I think there is something else. Consider the consecutive scenes where the criminals are ...



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