There are a lot of weird visions about spiders in Enemy (2013) and I was wondering if that signified something about the character?
Two theories are offered by Slate writer Forrest Wickman in an article about the ending, and (more to your question) by actress Sarah Gadon in an interview with Hollywood Reporter.
(The rest of this response is personal theory and speculation.)
I think both theories are correct and work well together. I particularly like the fear of intimacy theory and would go further: Adam is an oppressed, subtley misogynistic character who is attracted to but also subconsciously repulsed by and resentful of women, failing to understand them. When he dreams/sees spiders it's an expression of his oblique view of a species (or in general, a world) he doesn't "get".
I believe after the first scene of the movie, the spider scenes are dreams: a woman with a spider head, a Dali-esque city spider and finally the wife-as-spider transformation. Each dream is Adam's, and each one is longer and less distinctly a dream -- it's harder to tell when one begins or ends. The more surreal Adam's life becomes, the less it matters whether he's dreaming at all. Further, while the last scene in editing is the wife-as-spider transformation, I believe the actual last scene of the narrative is the first scene of the movie. I believe we're seeing Adam going to the sex club with his doorman in a flash forward. He's a regular there now. He has completely assumed his clone's life, wears his clone's wedding ring and wristwatch, and as an escape attends these sex shows like his clone did... Adam is so deep in the surreal that neither he nor we can know if he's dreaming anymore. By now, it doesn't matter.
protected by Community♦ Jun 4 '14 at 22:02
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