I know that some directors insist on having the final cut privilege. But taking it further, have any directors (or studios for that matter, however unlikely it is) insisted on a "no cuts, no dubs, no censorship" (or similar) policy? Such a clause would ensure that the movie is always watched as the director meant it to be watched. But it would also impact distribution.
I'm going to try and answer this, but my first problem is identifying exactly what you mean by "no cuts, no dubs, no censorship". As you rightly point out, some directors insist on having final cut privilege (and I'll list a few in a moment), but to my understanding if they insist on that, the rest will automatically follow. What I mean is that even if only one version of the movie is released, the theatrical version, it will in essence be the director's cut and we mightn't know about it.
Some famous films that were released straight out as director's cut include:
There are more quotes in the link, but ultimately it shows that the original Alien was considered to be the Director's Cut, but Ridley Scott effectively ended up creating two director's cut, showing that he was happy with it to be watched in different ways.
Variety Magazine did an online article on this in 2010 (found here). Some of the highlights from that article include:
This shows a bunch of movies where the directors got final cut (most of which only have one "version" too, suggesting the movies are exactly what the director wanted).
So in summary - it appears in the early days of film the director had much more power over final cut and would quite often be given this and the film released would be his vision.
Nowadays, it is much less likely, but still does happen, particularly with well known and box-office successful directors. However, as Ridley Scott demonstrated, it appears many directors would be quite happy to have a range of interpretations of their work (which isn't surprising, given their feelings/emotions will changes over months, years and decades).
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