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While watching another Stanley Kubrick movie, this question about A Clockwork Orange popped up and has puzzled me since then:

Is it possible that after Alex was released (or even during the treatment) he was only faking about being non-violent? Could it be only an act by him just to get out of the prison?

Sadly, the last time I saw the movie was years ago and even more sadly, I don't have access to the film right now so I can't watch it to see if there are some signs to support this idea.

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3 Answers

After being released, he is attacked by vagrants. I believe that if he was faking, he would have defended himself. Instead, two bobbies come along and save him. They turn out to be his old "droogs" Dim and Georgie who then also beat him up. I believe that if he was faking then he would have tried to protect himself.

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+1 though keep in mind, if he revealed that he was faking by defending himself, he might have been put back in prison. So he might have had a good reason to not defend himself. –  Shiz Z. May 15 '13 at 23:07
    
I agree with Shane. Fighting back would definitely blow his cover. –  Pouya May 16 '13 at 9:10
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I agree that the analysis that Shane brings up is interesting. However I think that having Alex not be faking actually makes more sense considering Kubrick's other works. By that I mean that Kubrick has a habit of exploring what happens when characters lose themselves. For example, in Full Metal Jacket Private Pyle is torn down and has his humanity stripped which triggers his killing of the Sergeant and himself. In the Shining, Jack slowly loses his sanity (and thus himself) to the powers of the Overlook. I think have Alex's nature torn from him fits Kubrick's themes more closely. –  djmadscribbler May 16 '13 at 16:10
    
It's one thing to protect your cover, but he is nearly drowned by his old friends and still never fights back. Plus, would his droogs have bothered reporting Alex fighting back when they would have to admit they were the aggressors? And if they really wanted him back in prison, they could just claim Alex fought back. So I agree with @djmadscribbler –  PaulStock May 16 '13 at 18:26
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I'm of the opinion Kubrick changed the story so that in the movie, Alex was faking that the conditioning worked.

Basically I was convinced by the case made by this analysis from a guy named Rob Ager. Here's a key excerpt:

In the book Alex spouts his own objection as the preacher and Minister debate the morality of the Ludovico technique, “Me, me, me. How about me? Where do I come into all this? Am I just like some animal or dog? … Am I just to be like a clockwork orange?” The last line in particular is crucial to the book’s themes, but Kubrick omitted it entirely. In Kubrick’s rewrite Alex fakes his sickness response, burps as he sits up (which he can do at will, as demonstrated during the police interrogation scene) then asks “Was it alright? Did I do well sir?” He knew perfectly well what was expected of him and he acted his part accordingly.

This indirect mutual agreement between Alex and the Minister was also communicated through a short verbal interraction in the prison courtyard. In the book Alex objects to the minister's statements and is in turn chosen for the Ludovico treatment. Kubrick drastically alters this interraction by having Alex lie that he was imprisoned for "the accidental killing of a person". The Minister is impressed with his ability to lie outright and responds "Excellent. He's enterprising, aggressive, outgoing, young, bold, viscious. He'll do."

Why would the Minister need a criminal who is "enterprising"? Because Alex is the type of lying opportunist who will pretend to go along with the Ludovico program, which will mutually benefit the Minister's aim of clearing out prisons to make space for political offenders. Cutting down crime is merely an illusion he needs to fabricate to justify this policy and Ludovico is the propaganda tool he needs. Alex then responds by thanking the Minister for choosing him (this didn't happen in the book). The Minister responds "Let's hope you make the most of it my boy." He's basically telling Alex to put on the best act he can for the doctors and the press.

Once released Alex finds that his old, comfortable life is no longer available to him. In his parents’ flat he is unphased by the erotic female portraits on the walls - shouldn't he be feeling ill as he did with the woman on the stage? And he gives away his unchanged aggression by swinging a fake punch near his father’s face, “Keeping fit?” he asks. Where is his Ludovico aversion to violent impulse?

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+1 for interesting thoughts. However I will wait for more opinions before confirming the answer. –  Pouya May 16 '13 at 9:12
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If he was faking about being "cured" and being non-violent, was he also faking about Beethoven music making him ill? Because that drove him so mad he attempted suicide by jumping out a window, seriously injuring himself. I think if he had been faking his cure he would not have gone to such extreme lengths to prove it.

Also, as I mentioned in commenting on djmadscribbler's answer, he was nearly drowned by his old friends Dim & Georgie because he was unable to fight back. So there were 2 instances where Alex would have put his life in jeopardy just to fake the effectiveness of the treatment. For that reason, I think the treatment really did effect him and he wasn't faking.

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+1 you raise good points. IMHO he was truly overpowered by Dim & Georgie when they hold his head in water, and could not fight back at that point. And the Beethoven-suicide scene is a dream-metaphor (this being a Kubrick film) for Alex finally "growing up" -- leaving behind his out-of-control youth for a more socially acceptable (but still self-serving) adulthood. For more details: collativelearning.com/ACO%20chapter%2018%20.html –  Shiz Z. May 17 '13 at 16:56
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